Art Videos

hi hi. i was running after you for a long time. i i was watching you from. . . actually I've watched you for a long time. i like to watch you when you're walking back and forth on the beach. and the way your the way your cloth looks. i like i like to see the edges -the bottom of it- get all wet when you're walking near the water there. it's real nice to talk to you. i didn't. i-i-i-i-i . . . how are you? how are you? (oh albino) i saw i saw you from your balcony window and you were standing there waving at everybody it was really great because there was about a billion people there, but when i was waving to you, uh, the way your face was, it was so, the way your face was it made me feel exactly like we're it's not that you were just waving to me, but that we were we were waving to each other. really it was really wonderful i really felt happy it really made me happy and. um. i. i just wanted to thank you because you you really really you made me you made me feel good and oh i, it's nothing. i um. i. well i'm just clumsy. yeah. no, it's just a bandaid. no, it's ok. oh no, i'm always doing something's always happening to me yeah. well. i'll be seein' ya. goodbye. bye. wave thou art pretty. wave thou art high wave thou are music wave thou are white (oh albino) (oh albino) wave thou art high (wave thou art pretty) wave to the city wave goodbye. goodbye sir. goodbye papa.

Admist the predestrian traffic of a Tuesday afternoon, I stand and begin to scream with the intention of stopping when my voice gives out or someone attempts to stop me.

The Turk R. and the German M. are buddies. R. works as a bartender in a hip Mexican margarita joint, and M. as a cook in an African restaurant which specializes in shark dishes. They each have 2 girlfriends at a time since they believe in the "polygamic nature of men" and that "their body needs the change". Unfortunately their 4 girlfriends -- all of which are modern women - do not share those philosophical views and raise hell once they discover the double timing. - This is Chapter 1 "Good Morning, You Handsome Guy!" - Chapter 2-6 to follow.

Archangel's "Physical Energy" This is the stunning video from the band's guitarist Alex Morgan. http://www.myspace.com/archangelmusic http://www.archangelmusic.co.uk Facebook group: http://www.facebook.com/group.php?gid=4354751705 Designed, directed and produced by Archangel guitarist Alex Morgan. Now available on iTunes here: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=220019513&s=143444 People without iPods click here: http://www.puregroovedigital.co.uk/browse.asp?Artist=Archangel "Essentially a double a side, 'Physical Energy' / 'Drive' is a slice of wistful and angry melancholia, driven by hard pianos and unrelenting synth bass, though not without a sense of humour to boot. rakish, distorted vocals teamed up with glorious harmonies make this a little gem of a record that must only be played loud and preferably with tons of eyeliner on. think the cure and bowie after a heavy night and a punch up..." "Corking, angular art punk" (NME Jan'07) "On constant rotation on the stereo since it was dropped in 3 hours ago - ones to watch in 2007" (Rough Trade) "Something brand new, something we really really like.. something we've been dying to play you" (Zane Lowe, Radio One) "Bewitchingly catchy at their best, Archangel take the very essence of a balmy summer afternoon and instil it through some jumpy indie rock curves that are impossible to dodge. Never in your face, the songs allure is purely charm based, and one you wont want to resist" A Subba-Cultcha.com SINGLE OF THE MONTH "An exceptionally good cake!!!" "Despite the stuttering pace of 'Physical Energy', with its timely handclaps and short beats, this is deceptively languid. The repetition of the synth gives the lull of chill, but it's without a doubt clear that Archangel are influenced by something far more gritty and dystopian. A band to keep a beady eye on." Disorder Magazine "The second release from London based Archangel sees the art indie upstarts take on the mantle of early Cure and 80's Bowie. With dark undertones and mournful harmonies, the band are touching the darkest sinews that many bands willingly avoid. The song relies on a menacing keyboard bassline and juddering drums that sit on the precipice of violence without peering too far over the edge. There's a melancholic fear that shows itself in the melody, but this is not to be mistaken for sounding depressing. Far from it - the song is of the sort that would appear in an indie club as the night is wearing on and needs an injection of energy" Click Music